Discussing new masculinities in turkey: a critical masculinity reading through the popular turkish tv serials

AuthorDr. Hasan Gürkan
Pages189-210
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DISCUSSING NEW MASCULINITIES IN
TURKEY: A CRITICAL MASCULINITY
READING THROUGH THE POPULAR TURKISH
TV SERIALS
DR. HASAN GÜRKAN
Istinye University & Girona University
ABSTRACT
This study aims to understand the masculinity that is accepted and not accepted
on television and to investigate how the audience enters into a dialogue with the
narratives they watch. This study is based on examining popular TV serials based
on image, discourse, and action, and discussing depicted masculinities in the
context of today’s Turkish society. In the study, the popular TV serials released
after 2015, such as Cesur ve Güzel (2016), Kiralık Aşk (2015), Siyah ve Beyaz
Aşk (2018), Sen Anlat Karadeniz (2018), Poyraz Karayel (2017) are analyzed
using text analysis method. In these serials, which are masculine-centered
narratives, male characters reconstruct hegemonic masculinity by defining the
roles of masculinity as 'correct' masculinity, sensitivity to art/environment,
communicating efficiently with women, being educated, well-groomed, and
polite. However, these new masculinities appear to display masculine roles that
are physically strong and psychologically resilient, brave and virile. The new
masculinities depicted in these serials are resistant to traditional masculinity
patterns and make change possible by revealing a hybrid structure. In addition,
these new masculinities create a hegemonic masculinity profile that needs to be
reached physically and masculinized power.
KEYWORDS: new masculinities; Turkish popular TV serials; sexual identity;
representation; Turkish society
DEBATES EN TORNO A LA COMUNICACIÓN, LA IGUALDAD DE GÉNERO Y LOS DERECHOS HUMANOS
185
Juan Carlos Suárez-Villegas - Sergio Marín Conejo (co-editores)
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1. Introduction
Ideal masculinities are produced and presented through mass media (Coles, 2009;
Connel, 1993; Connel, 1998; Hobbs, 2013); media greatly influences the
dominance of masculinity styles in a society. Popular culture products and TV
serials define male characters and construct a definition of masculinity (Bannistar,
2017; Song, 2010; Gürkan et al., 2021; Gürkan et al., 2017). One of the essential
elements used by the media, especially television serials, to produce cultural values
in society is the characters (Ahmed, 2012; Gillepsie, 1995). Especially the main
characters in popular TV serials are formed with the cultural values and personality
traits accepted and adopted by society in general, or the cultural and personality
attributes desired to be adopted and internalized are produced through these popular
characters. As a result of all these, it becomes easier to accept the lifestyles, gender
roles, and other personality traits presented to the audience with the characters in
the TV serials.
Generally mainstream narratives are male serials. These male-centered serials
present “masculine stories”. This study’s popular serials are narratives with
masculine stories. By examining male figures, this study seeks an answer to the
question of how and why the stereotyped perception of masculinity and its
representation in media have changed in recent years. As Aydon Edwards (2015)
stated, masculinity reflects the traditional values of society and forms the basis of
modern society's self-determination. Gender studies seek to break down an
established, stereotypical concept of gender roles that sharply separates masculine
and feminine categories. In other words, innovations created by society that
naturalize social differences is discussed (Bourdieu, 2012). One of the most
common research topics in gender studies is the representation of gender roles in
society. At this point, I am aiming to analyze the movement areas of masculinities
in Turkey.
Moreover, Connel (1990; 1991; 2005), Connel & Messerschmidt (2005), Kimmel
(2004), Demetriou (2001) discuss the gender role through the relations of power
between the sexes and they also review the role of women and men as equal and
mutual with each other. Connel (2005), Demetriou (2001) state that gender is not a
DEBATES EN TORNO A LA COMUNICACIÓN, LA IGUALDAD DE GÉNERO Y LOS DERECHOS HUMANOS
186

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