Introduction

AuthorAmos N. Guiora
Pages14-23
xiii
Introduction
The terrible attack on March 15, 2019, in two mosques in
Christchurch, New Zealand, committed by Brenton Harrison
Tarrant that resulted in 50 deaths and 50 injuries recalls the
attack in the Tree of Life synagogue in Pittsburgh, Pennsylva-
nia, on October 27, 2018, committed by Robert Bowers that
killed 11 people and the July 22, 2011, terrorist attack in Nor-
way committed by Anders Breivik that resulted in 85 deaths
and over 200 wounded.
All three attacks were committed by lone-wolf white
supremacists deliberately targeting their victims. Tarrant, like
Breivik, had created a manifesto expressing his hate-filled
viewpoint. Tarrant, like Bowers, used social media—Bowers
to express his intention, Tarrant to record and post the attack.
The impact from the actors’ perspective is immediate, dra-
matic, and wide reaching. This represents an important and
profound shift from multiple perspectives. From the actors’
perspective, social media enables the attack to be reminiscent
of “all the world’s a stage.” From the perspective of “fellow
travelers,” it creates an online community that reaffirms their
belief system in an immediate and dramatic manner, reinforc-
ing shared opinions that can serve to encourage others. From
the perspective of counterterrorism and national security offi-
cials, it requires recognition that not only are lone-wolf actors
committed to their cause but also their willingness to effec-
tively and dramatically use social media enables them to dis-
seminate their message immediately, literally during the course
of the attack. With respect to lone-wolf white supremacists,
there is little doubt that the deliberate targeting of minority
communities (Jewish in Pittsburgh, Muslim in Christchurch)
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