In The Wake: Black Girl Lessons on Collective Care

DOIhttps://doi.org/10.13169/jinte.5.1.0003
Published date14 October 2022
Date14 October 2022
Pages18-27
AuthorAja Reynolds
Subject MatterBlack girlhood,antiBlackness,collective care,Black geographies
18 Volume Five, Number One
“In the Wake”Reynolds
In The Wake: Black Girl Lessons on Collecve Care
Aja Reynolds, Ph .D.
Wayne State University
Abstract: This article centers Black girl leadership as a survival guide in this unprecedented moment
of combating two pandemics, Covid-19 and extrajudicial killings of Black people. I recall lessons learned
during my ethnographic research with Black girls in Chicago in which loss and grieving was often and
premature. This piece is a response to Christina Sharpe’s “wake work” conceptualization that challenges
the collective care Black people specically must engage both with our living and dead.
Keywords: Black girlhood; antiblackness; collective care; Black geographies
Introducon/ Theorecal Framework
Initially when I started working on this project, I could not foresee the severity of Black life being
even more vulnerable and delicate than it already had. I was reecting then on antiblackness and
Black folks’ proximity to premature death as a sentence from the state for surviving. Like the rest
of us, I did not anticipate the timeliness for us, Black people to call on our ancestral wisdoms
and invoke our practices of care to carry us through a pandemic caused by COVID-191, a virus
outbreak and racial uprisings to follow the summer of 2020. Yet I knew we would show up in the
numbers disproportionately of who contracted the disease and those who would die to no fault of
our own. The warnings about who identied as most vulnerable to the virus included people with
underlying health conditions indirectly named Black people, particularly, poor and working class
who move through impoverished communities lacking access to food, healthcare, and job security
in addition to the environmental violence brought on by poor air quality and poisoned water.
Therefore, this paper intends to explore Christina Sharpe’s (2016) concepts about “wake work”
in which she describes it as processes to enact grief and memory through rituals to remember the
dead and our relation to them and “as modes of attending to Black life and Black death.” I center
the lives of Black girls and their pedagogies of care as an oering to Sharpe’s question, “How
might we stay in the wake with and as those whom the state positions to die ungrievable deaths and
live lives meant to be unliveable? (pg. 22)”
Uniquely, Black girls are seated at the intersections of state and community violence as a
result of racialized gendered oppression. For them, the question about the wake work is more simply
asked by Ntozakes Shange,1974, in her profound play “For Colored Girls Who Have Considered
Suicide When the Rainbow was Enu,” which is posed in the monologue as “who will sing a Black
girl song?” Sisterhood, seems to answer the initial question of “who will sing a Black girl song?”
It is the same sisterhood that gathered at a kitchen table as Black women genius led to the writing
1 Covid 19 is a virus that caused a pandemic in 2020. More information here: https://www.cdc.gov/coronavi-
rus/2019-ncov/index.html.

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