Fear, Flight, and Freedom: On Anti-colonial Countermasteries and Ontological Insecurities

DOIhttps://doi.org/10.13169/decohori.5.1.0165
Pages165-196
Published date01 January 2019
Date01 January 2019
AuthorZaynab Shahar
Horizontes Decoloniales Volumen V.1 (2019): pp. 165–196
horizontes
decoloniales
ISSN 2545-8728
eISSN 2422-6343
Volumen V.1
2019
165
Fear, Flight, and Freedom
On Anti-colonial Countermasteries
and Ontological Insecurities
Zaynab Shahar
Abstract in English
In Unthinking Mastery Julietta Singh argues that anticolonial discourse
hinges on the contradiction of both repudiating the “mastery” of colo-
nialism and at the same time reproducing and advocating mastery
towards anticolonial liberation. Through a close reading of Fanon, Singh
demonstrates the ways in which he understood countermastery as the
production of “new masterful subjects.” This paper deconstructs Fanon’s
countermastery through the lens of ontological insecurities to illuminate
how it informs the production of contemporary decolonial discourse.
This paper expands Fanon’s conception of decolonial embodiment
through proffering queer failure and queer of color disidentification as
ways of etching towards decolonial queer-feminist praxis.
Key words: Coloniality, Ontology, Queer Studies, Feminist Thinking,
Frantz Fanon.
Abstract in Spanish
En Des-pensando Maestría, Julietta Singh explica que existe una
contradicción en el discurso anti-colonial que repudia “maestría” y al
mismo tiempo que propone una “maestría” de liberación anticolonial. A
partir de una lectura profunda de Fanón, Singh demuestra la forma en la
cual la contramaestría produce “nuevos sujetos maestros.” Este articulo
deconstruye la contramaestía de Fanón a partir de lentes de la inseguridad
ontologica para iluminar las forma de producción de discurso decolonial
contemporáneo. Este articulo intenta expandir la concepción Fanoniana de
la corporalidad decolonial ofreciendo las concepciones de ‘fracaso queer”
y “desidentificación de color queer” para pensar la construcción de una
praxis queer y feminista decolonial.
Key words: Colonialidad, Ontología, Estudios Queer, Pensamiento Feminista,
Frantz Fanon.
Zaynab Shahar Fear, Flight, and Freedom
horizontes
decoloniales
ISSN 2545-8728
eISSN 2422-6343
Volumen V.1
2019
166
Abstract in Portuguese
Em Unthinking Mastery, Julietta Singh explica que há uma contradição no
discurso anticolonial que repudia o “domínio” e, ao mesmo tempo, propõe
um “domínio” da libertação anticolonial. A partir de uma leitura profunda
de Fanon, Singh demonstra a maneira pela qual o contradomínio produz
“novos sujeitos dominadores”. Este artigo desconstrói o contradomínio
de Fanon através de lentes da insegurança ontológica para aclarar a forma
de produção do discurso decolonial contemporâneo. Este artigo busca
expandir a concepção de corporalidade decolonial de Fanon, oferecendo
as concepções de “fracasso queer” e “desidentificação de cor queer” para
pensar a construção de uma práxis queer e feminista decolonial.
Key words: Colonialidade, Ontologia, Estudos Queer, Pensamento Feminista,
Frantz Fanon.
Zaynab Shahar is a Ph.D student at Chicago Theological Seminary, spe-
cializing in comparative religion and gender/sexuality in Judaism and
Islam. She holds an M.A in Religious Studies from CTS and a B.A in Jewish
Studies from Hampshire College. Her research focuses on comparative
queer-feminist practices of solidarity and interpretative method between
Jewish and Muslim American communities. She’s interested in the implica-
tions of women and LGBTQ folks wanting to assume greater responsibility
within the terrain of obligatory ritual. She’s interested in utilizing decoloni-
ality and critical theory to articulate a comparative analysis of gender, ritual
obligation, and religious space that move past the orthodox/liberal binary
that pervades queer theology and the feminist study of religion.
Zaynab Shahar Fear, Flight, and Freedom
horizontes
decoloniales
ISSN 2545-8728
eISSN 2422-6343
Volumen V.1
2019
167
Introduction
In Unthinking Mastery Julietta Singh (2018: 2) aims to
deconstruct “the persistence of mastery” at the foundation of
postcolonial and anticolonial discourse. For Singh (2018:2),
anticolonial discourse hinges on the contradiction of one the
one hand, repudiating the “mastery” of colonialism and at
the same time reproducing and advocating mastery towards
decolonial and anticolonial liberation efforts. In doing so,
countermastery functioned not only to defeat colonial mastery
but “towards the production of decolonized subjectivities.”
Through a close reading of Fanon and Ghandi, Singh dem-
onstrates the ways in which both men understood the utility
of countermastery in producing “new masterful subjects.”
Ultimately, Singh (2018:2) argues that such impulses towards
the utilization of countermastery “didn’t interrogate its own
masterful engagements,” particularly the ways in which such
“complex entanglements with mastery would come to reso-
nate in the postcolonial future it so passionately anticipated.”
Singh’s (2018:2) meditations on mastery and her quest to
linger in the company of Cixous’s belief in the existence of
something other than mastery is particularly potent in endeav-
oring to think through the emergence of yet another academic
field dedicated to the conceptualization of decolonial subjec-
tivities: decoloniality.
I first encountered the concept of decoloniality while
attending the 2018 Critical Muslim Studies Summer School
in Granada, Spain. As the summer school unfolded, I took
note of the spatial relationships between the varying onto-
epistemologies presented as integral to the work of Critical
Muslim Studies. In one instance, discussions on coloniality
and decoloniality were primarily oriented around deconstruct-
ing the role of race and nation in understanding subjectivity
and intersubjectivity. In another instance, discussions of gen-
der and “feminism” operated primarily within the terrain of

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