Birches Too Difficult to Cut Down: The Rejection and Assimilation of the Soviet Reference in Cuban Culture
DOI | https://doi.org/10.13169/intejcubastud.9.1.0127 |
Published date | 01 April 2017 |
Date | 01 April 2017 |
Pages | 127-141 |
Author | Rafael Pedemonte |
Subject Matter | Cuba,USSR,literature,Socialist realism,Marxism,nostalgia |
IJCS Produced and distributed by Pluto Journals www.plutojournals.com/ijcs/
ARTICLE
BIRCHES TOO DIFFICULT TO CUT DOWN:
THE REJECTION AND ASSIMILATION
OF THE SOVIET REFERENCE IN CUBAN
CULTURE
Rafael Pedemonte
University of Ghent, Belgium
Abstract
The concept of ‘nostalgia’ has been recently coined to characterise the remnants of the
Soviet past and its psychological impact in Cuban society. This article claims that during
the 1960s, relationships with the USSR engendered divergent reactions, sometimes
accompanied by strong resistance, to the canons of the ‘International communism’.
The Cuban revolutionary experience did not always match with Moscow’s priorities,
especially in the cultural field, which was reflected on multiple debates about the
appropriateness of applying the Soviet model. Although the 1970s and 1980s were
decades of massive Soviet influences, producing in Cuba a growing adoption of the
Socialist realism’s techniques, the fall of the Berlin wall and the Periodo Especial have
generated a renovated way of expression. Nowadays, a post-Soviet generation of
artists seeks to unveil the fractures produced by the definitive collapse of the illusions
embodied by the Soviet Union.
Keywords: Cuba, USSR, literature, Socialist realism, Marxism, nostalgia
Recently, some observers have been alluding to a sort of lasting ‘nostalgia’ con-
cerning the Soviet Union, perceptible in different spheres of society. It is undoubt-
able that during the 1980s, Soviet cooperation brought a kind of material
‘abundance’. As some scholars (Damaris Puñales-Alpízar, Jacqueline Loss, Yoss,
Reina María Rodríguez)1 have convincingly demonstrated, products from the
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